![]() I'm not the guy designing rooms on a piece of paper, but I can tell you if a room sounds good or not. I’m not a trained acoustician, I’m an audio engineer. To be able to show both the Waterfall and Reverb Time (RT60) graphs at the same time, without having to close one and then open the other, will save a lot of time as far as them grasping the scope of problems in the space. FuzzMeasure is simple and affordable - the kind of tool that will empower the next generation of designers, consultants, and researchers. ![]() In 2017 Smaart Di 2 was released, updating the Di platform to include many of the new features and functionality as developed for Smaart v8.Īrchitectural acoustics is more complicated than it should be. The processors in our laptops had become strong enough to run the mathematical algorithms that we were using in those expensive hardware / dsp based dual-channel analyzers, and effectively it became possible to create those advanced analyzers in software – and hence, in 1995, Smaart was born and the price barrier fell. By the mid 90’s, however, a new force was beginning to redefine our tool boxes – the personal laptop computer. ![]() While all of those measurement tools proved helpful in our tool boxes, the substantial cost and educational/technical barriers to implement the dual-channel systems significantly hampered, and often prevented their use in our industry’s everyday practices. The significance and genesis of Smaart in professional audio is found in the early-mid 90’s when our choices of sound system measurement tools were limited to some moderately priced RTA’s (Real-Time Analyzers) and a limited number of extremely expensive (hardware-based) dual-channel acoustic analyzers – most of which developed for industries and purposes outside of professional audio. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |